Archive for the ‘Uncategorized’ Category

Ye Olde “What I’ve Been Doing” Update

Wednesday, March 10th, 2010

I got new supplies!

new roller

Armed and dangerous with a new roller. Time to do some damage.

A big fat order from McClain’s arrived yesterday.

(I order from them ’cause they’re the best. Seriously. I placed my order late afternoon Thursday, they ship it Friday, it arrives Tuesday)

I got a new roller, which I am very excited about. It is far nicer than the dinky pinky Speedball roller I’ve been using.

Got some clean up supplies, soap and nitril gloves, and most af all, paper. I got a dozen sheets of Shin Torinako washi paper. I used it for the first round of printing of these skater prints I’ve been making, and I needed more to print up the rest of the editions.

Each sheet of the paper can make about 16 or so prints, so I have enough to print up a nice edition of each. I’ll probably make about 15 prints of each block, except block 2, there will be 23.

(I’ve already printed some, and gave some away on Twitter. Follow @BadDeacon on Twitter. You might get free stuff)

Speaking of rollers and paper, I finally got the 4th skater block printed:

skater print 4

Woodblock Print, 4x4 inches, title to be determined

This means you can expect a few things to happen now that these are done:

  • I’ve got an upcoming post discussing what this series of prints was really about. It actually has little to do with punk rock and skateboards, anbd a whole lot to do with deliberate practice (I’ll talk about exactly what that is).
  • I’ll have a video coming out about this 4th print. I filmed the carving and printing of this block, so as soon as teach myself how to edit video, I’ll have that out. Turns out video ads quite a bit of complexity to pretty much everything.
  • These skater prints will be going on sale. They’ll be pretty cheap, about the same price as a sandwich (I like to think of value in terms of food). I’ll probably do a bunch of stuff like make a “buy 3 get the 4th free” promotion, as well as discounts and early sales to people on my newsletter. Sales should begin some time next week.

That’s it for now. Leave a comment and say “hi”.

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Where’s Waldo Proves I Have Tech Cred

Monday, January 4th, 2010

There is a walkway between the contemporary art gallery and the rooftop garden terrace at the SF Museum of Modern Art (MoMA), and it overlooks some of the adjacent rooftops across the street. The view is pretty boring, unless you are a mechanical engineer, then all of the rooftop equipment you can see from this walkway is fairly interesting.

Every time I cross this walkway, I stop and look at all the equipment across the street.

Last time I was at the MoMA, I noticed a couple stopped in the walkway, taking a photo of the rooftop across the street. I was a little surprised, because I thought I was the only person who looked at the rooftop air conditioning equipment installed on the adjacent roof. “Must be another engineer”, I thought to myself.

It turns out that I still am the only person that checks out A/C equipment. They were only interested in Waldo:

Where's Waldo? Hiding behind that supply duct fromt hat packaged rooftop A/C unit!

Where's Waldo? Hiding behind the boiler water piping from the water side heating system!

That equipment that Waldo is hiding behind is probably a boiler, supplying hot water to a hydraunic heating system or something like that. The hot water from the boiler gets pumped through pipes to coils that sit in the airstream, heating up the supply air, keeping the people inside warm.

I know this because this is the kind of stuff I design at DayJob. I design a lot of Air Conditioning, Ventilation, and Heating systems. In fact, I took this photo last time I was at MoMA, because I thought all of that rooftop A/C equipment looked pretty interesting.

I was all over that rooftop before Waldo ever showed up

I was all over that rooftop before Waldo ever showed up

This is the blessing and the curse of being an Engineer. I can’t help but notice examples of the type of equipment that I design. Plumbing vents? Cool. Fire Protection system risers? Fascinating. Rooftop equipment? Stops me in my tracks.

Anyway, I took a picture of that rooftop long before Waldo showed up, making anyone else care about this roof.

That, my friends, is street cred.

At least for technical nerds.

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A print is not necessarily a Print

Wednesday, November 11th, 2009

The word “print” can mean a couple different things. It is frustrating to me when I tell people that I make prints and they misunderstand, and I think it has led to a fair bit of confusion for the average art connoisseur.

A “print” can be:

  • A hand created and printed piece of artwork, created either as a monotype, relief print, intaglio, or lithograph
  • A high quality reproduction of a work of art using photographic and mechanical means. These are also sometimes called “lithograph”
  • A poster

I’m going to go a little in depth into each one and explain the difference.

Handprinted Art Prints

These types of prints are drawn on the printing element by hand, inked by hand, and hand printed or run through a manual printing press. The main methods used to print these types of prints are monotype, relief (ie. woodblock), Intaglio (or etching), and lithography. Silkscreen can be included in this list, though silkscreen seems to be more widely used for craft rather than art.

Each print made by these methods is an original work of art. In fact, there is no “original” to speak of, because no image is being reproduced. The image is being produced for the first time with the printing elements (the plates, block, stones, etc), it is just being produced a number of times.

When people refer to Fine Art Printmaking, it is this type of printmaking that they refer to. Since these prints are original art, these types of prints maintain and increase in value over time. These are the type of prints that investors and collectors purchase.

This type of Printmade Fine Art is the type of prints that I make and sell here on BDD.

High Quality Reproductions

These type of prints are often referred to as a “limited edition Lithograph” or a Giclée print. These are high quality reproductions of an original work of art. The original art is created, and then photographic and mechanical methods are used to reproduce it.

These prints will often be signed and numbered, and issued as a limited set, so these can be easily confused with Printmade Art prints. This gets more confusing because these are often referred to as “lithographs”. The tricky thing about this language is that pretty much everything is a lithograph. Newspapers and magazines are lithographs, they are just produced by industrial lithography, rather than hand-printed lithography.

These types of lithographs are not hand printed in the fine art sense, though there may be an operator working the printing press.

Sometimes these will be called Giclée prints. Giclée is essentially a really fancy ink jet printer. (And I mean really fancy. I’ve seen Giclée printer produce prints, and they look mighty nice.

Though these types of prints are often limited editions, they do not hold and increase their value as well as original printmade art. They may maintain some value, and increase in value, depending on the artist and the work, but they won’t be an investment like a hand printed art print.

Posters

We all know about these kind of prints. These are the type that we hung in our college dorm room, to show off our appreciation for Van Gogh or Monet. These are the type of print that you will get at Museum gift shops or stores that sell art prints.

These prints are a great way to be able to look at your favorite work of art. Certainly, I know that I won’t ever own a Manet or Renoir painting, so this type of poster would be the appropriate way to have this art in my apartment.

These types of prints are not signed and numbered. They are mass produced, and are a consumable good. They are pretty, but they are not original art.

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Why Printmaking? (A Study in Polarity)

Thursday, October 29th, 2009

Why don’t I just paint, or draw, or sculpt, or something like that?

It might be easier, and less time consuming. I might be able to whip out art much quicker. I wouldn’t have to explain the difference between printmade original art and industrial produced prints of art (ie. posters).

I love printmaking because the process of creating the print is so relevant to the final product. Of course, the process of every type of art impacts the final work of art that you make. How the paint is manipulated on the canvas decides how the painting will look, how the metal or clay is moved, welded and joined decides how the sculpture will look.

With painting, drawing, and sculpture, the work done has a direct impact on the final result. Printmaking is a little more indirect. The artist carves a block of wood, which is arguably where the talent to create an image comes into play, but then that block is printed, which is more of a technical process than an artistic one.

The process of transferring the ink from a printing plate or block to paper is very technical. It requires precision and proper methods.

Printmaking requires two sides of me: the artist and the engineer.

The artist in me creates the image, decides how it will look, carves the block, decides what colors should be used, and what feeling or thought I want to put into the finished art.

The engineer takes over to figure out how to mix the inks, how transparent the ink should be, how to line up the multiple blocks so that the print registers well, how much pressure is required to transfer the ink, and how much drying time is required before the next layer of ink is applied.

Both parts of this process interest me, and engage me. In order to make a print, I have to engage my creative side, as well as my technical side, and so I feel much more balanced when creating prints.

Printmaking engages these two sides to me like no other method does. Painting, and even drawing to a degree, are much more of a purely creative endeavor for me, and my paintings tend to be more emotionally charged than my prints, because painting does not require the same balance of my different ways of thinking like printmaking does.

This makes a little more sense knowing that by day, I am an engineer. I am registered as a Professional Mechanical Engineer in California, and spend my days designing water treatment and utility systems.

My job is all technical all the time, so I need art to create that balance in my life between those two poles. As a printmaker, both of those poles have to work together to create my final product.

That’s why printmaking is such good stuff.

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