Archive for the ‘Inner Stuff’ Category

To Sleep or Not To Sleep?

Thursday, February 25th, 2010

Sleep has been part of my schedule less and less lately.

This is largely due to this little series of skater woodblock prints I have been working on. While working on the 3rd in this skater series last night, I lost track of time (technically, this morning). Work, and getting stuff done, cuts into my sleep time.

Sleep may cut into my work time, but not sleeping cuts into my ability to be productive.

This, in a nutshell, is my dilemma. By sleeping less, I can spend more time working, but when I sleep more, the time I do work results in higher quality output.

Not Sleeping is a Fantasy

Back in college, my art school buddies and I would fantasize about a magic night that would never end. The night would go on and on, as long as we could stay awake working.

The dream was, once we fell asleep, the night would start again, and we would wake up, fully rested 8 hours later.

If we could stay up for 20 hours, 20 hours of work. 30 hours? 40 hours? That’s a lot of work to get done.

When I was getting my art degree, “who can have the most all nighters” contests were common amongst my friends and colleagues. I remember one time in particular when Richard, Luke, and I spent about 3 days in a row in the painting studio, and got a total of about 6 hours of sleep over those 3 days. We were no strangers to working long hours.

…but Back in Reality,

In college, it was easier to stay up all night working. I could sleep in and not go to class. I can’t do the same now. I can’t decide not to go to work on a whim.

My solution has been to work on this week’s project all night, and sleep in, losing my morning writing hour. The danger of this is missing the time for my second job, writing and marketing my art.

I’m working out how to work with this, and I don’t have a solution yet. My only solution has been to power through, and crash when my body tells me it needs to crash.

It may be sustainable for a week, but it is not long-term sustainable.

To sleep or not to sleep.

Any ideas?

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101 things I learned from making 101 prints, Part 5

Saturday, February 13th, 2010

After finishing the 101 Woodblock Print Project (printing 101 all-different woodblock prints), comes this series of 101 things I learned by making these prints.

These 101 prints are for sale to email newsletter subscribers (sign up at left). They will be available to everyone in a couple week, but the price increases by about 7x. As a promotion, I am selling them for the price the materials and shipping cost me, nothing more. If you prefer to spend less money rather than more money, act now.

The last 20 prints are going to be uploaded to the sales gallery today, so all the latest, freshest prints are freshly available.

Previously, in this series of 101 things I learned by making 101 Woodblock prints:

The Last 21 Things I learned by making 101 Woodblock Prints

  1. If it starts to take twice as long to carve a block as you thought it would, relax, and get to it. Don’t take any shortcuts, you will be glad you didn’t.
  2. When you are happy with what you accomplished after a long day of work, that is following your passion.
  3. You may not always be passionate about following your passion. Gruel it out.
  4. Leverage your day job as much as possible, but don’t sacrifice performance. Remember what pays the bills.
  5. When you are stuck, not sure what to do next, do the first thing you think of.
  6. The first dollar that you receive from selling your artwork is going to feel really good. I still have mine.
  7. Framed art looks fantastic.
  8. Variety can extend your theme further
  9. Once you have a theme to work with, make small changes to add variety
  10. Get comfortable with selling your work, and accepting money for it.
  11. Learn how to sell your stuff. There are people that probably wouldn’t buy $10 bills for $5, unless you sold them on it.
  12. Don’t worry if you don’t feel excited when you finish. It just means you have bigger things to move on to.
  13. Plan for success.
  14. Keep working.
  15. If you get sick of your project, keep working.
  16. Keep working.
  17. When you are not sure what to do next, keep working
  18. Keep working
  19. When you finish the project, move on to the next, and keep working.
  20. Keep working
  21. Did I mention, keep working?
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101 things I learned from making 101 prints, Part 4

Friday, February 12th, 2010

I know what’s been on your mind. After reading the first 20 things I learned, then things I learned numbers 21 through 40, followed by 41 through 60, you are dying to hear the next 20!

If you are new to this list, then you should know the story. I decided to make 101 Woodblock Prints, all different. I recently finished, and they are for sale to newsletter subscribers. Sign up if you wanna buy art for very few dollars.

So here are the next twenty things I learned by making one-hundred and one woodblock prints.

  1. It’s ok to waste some unused ink. You don’t have to use every part of the buffalo.
  2. There might be another use for that leftover ink though.
  3. There may be ways to use a woodblock that you initially did not think of. Look for those uses.
  4. Develop a fast, easy, and reliable registration system. The extra time upfront is worth it in the long term.
  5. Leaving a project unfinished because you don’t feel like working on it anymore is not acceptable. Or rather, it just won’t get you anywhere.
  6. Most art stores have a horribly small selection of relief printmaking supplies. Don’t count on them.
  7. Order from McClain’s Printmaking Supplies. They rock. Other places I’ve ordered from suck.
  8. Call of Duty is the enemy of productivity (though I am lethal with a silenced SCAR)
  9. Good friends will offer good encouragement
  10. Surround yourself with motivated people.
  11. It feels really nice when people like your art. REALLY nice.
  12. It’s even nicer when they email you and tell you they like it. HINT.
  13. Don’t expect everyone to get it.
  14. Feeling understood is one of the most nourishing things in life.
  15. When you get so tired you make stupid mistakes, stop working
  16. Nurture every relationship that comes your way.
  17. Seek out new relationships and connections to strengthen your personal web.
  18. The internet is a time waster. Unplug when time to work (do as I say, not as I do)
  19. When you pull the print off of the final block, and it looks great, it’s ok to actually yell a “woohoo out loud.
  20. When you hang your art in your window to dry, include a sign directing folks to your website. You never know who is walking by.
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101 things I learned from making 101 prints, Part 3

Thursday, February 11th, 2010

After putting up the first 20 then the next 20 things I learned by making 101 Woodblock Prints, it is time for….

The 41st through 60th thing I learned by making 101 Woodblock Prints.

  1. “Eyeballing it” is not a reliable registration method
  2. White erasers can erase quite a bit, including stray ink marks on the paper.
  3. To spend the time it takes to make art good enough to impress chicks, you won’t have any free time for chicks.
  4. After 10 hours of work, beer tastes good.
  5. 12 hours spent focusing on carving 1 block is mentally draining.
  6. 3 hours, on the other hand, is no big deal.
  7. It takes a long time to make art, and a long time to market art. Doing both takes even longer.
  8. Decorative art is ok. People like it.
  9. Wood is more delicate to carve than linoleum, and also, it prints better.
  10. Cheap brayers will deteriorate over time. I already told you to get good ones.
  11. Your least favorite art might be someone else’s most favorite art.
  12. It’s ok to take risks, sometimes you will be surprised at the results.
  13. Sometimes you will be surprised at how bad the results are too.
  14. Pay attention to everything you do, it is information to learn from.
  15. Different colors have different pigment strength. Learn what’s what.
  16. Some colors are naturally transparent. I’m looking at you, Prussian Blue and Pthalo Green.
  17. Speaking of Prussian Blue, it is a surprisingly beautiful color.
  18. Always test the color on paper after you mix it on your palette. It will look different on paper.
  19. Trust your gut. If a color doesn’t seem right for a print, don’t use it.
  20. The most important influence on how productive your morning will be is the prior evening.

Check back tomorrow to read the next 20 lessons.

Feel free to subscribe to the RSS feed (check the link up on the left) to get it in your RSS reader automatically)

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101 things I learned from making 101 prints, Part 2

Wednesday, February 10th, 2010

I know. This list should have been 3, 5, 7, or 10 long. Not 101.

20 a day is a ton. 101 total is waaaay too many. people who like art, however, and thus, my website, are smarter and sexier than average. I have faith.

Don’t worry, most of these are mere trifles, and won’t require any thought.

There may be one or two hidden in there that have some nuggets of wisdom…

Without any more waiting, continuing from the first 20 things I learned,

20 more things I learned by making 101 Woodblock Prints

  1. Someone else might like most what you like least.
  2. Photograph your art during the day, in the morning, when you have the most natural light available. Indoor lighting is awful for photos.
  3. Give a print a night or two before pasing judgment. It might look better in the morning. Or worse. Either way, give it time.
  4. The color will look darker when it is printed than it does on the palette. Context changes how things appear.
  5. If you leave your computer on to take notes/post to twitter/whatever, you are gonna get ink on the keys
  6. If you are not careful opening ink jars and getting ink out, it will splatter, and your walls will look like a Jackson Pollock painting
  7. Order a LOT more transparent medium than anything else.
  8. People will take pictures of your apartment if you hang your art in the window to dry.
  9. Good ink is worth the extra 15 bucks a jar
  10. I need better brayers.
  11. Cotton rag paper isn’t the best for relief printing, even if it looks nice. Get washi.
  12. Do people care about what goes into making art? I don’t know.
  13. Watching TV in the background will just slow you down.
  14. Listening to audio books won’t slow you down.
  15. Listening to heavy metal will speed you up.
  16. Especially if it is Slayer.
  17. Especially if it is “Reign in Blood“, Slayer’s fastest album (210 beats per minute average!)
  18. Don’t cut corners.
  19. Also, don’t carve corners (or yourself).
  20. And definitely don’t ink the corners.

Curious what the next 20 lessons are? Click to read numbers 41 through 60, amigo. You can also read numbers 61 through 80, muchahco!

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101 things I learned from making 101 prints, Part 1

Tuesday, February 9th, 2010

I finished my 101 Woodblock Series the other night, so I thought, what better time to make a list post?

Everyone needs a snack.

These 101 prints were a lot of work. They are for sale to newsletter subscribers for the price of a latte at Starbucks. They go on sale to everyone in a week or two, and the price is gonna go up to about 25 bucks. If you want one, you save over 20 bucks by buying one now. Sign up for the email newsletter to get the goods.

Moving on, a list in many parts..

101 things I learned by making 101 prints.

  1. 101 is a lot of something to make.
  2. Making one hundred and one is as simple as Making 1, then repeating 100 times.
  3. Pink is an easy color to make look good.
  4. Orange isn’t. Sorry, Orange.
  5. Art is a product, like any other. It just has a different set of emotions attached.
  6. Reduction printmaking requires more planning than you did.
  7. Not all 9″x12″ blocks are the same size.
  8. I can go without food when I’m working on art, but not without coffee.
  9. Two pots of coffee is twice as good as one pot
  10. When I drink tea or coffee later in the evening, it is easier to work, but harder to sleep
  11. I get frustrated when I can’t mix the right color.
  12. I get excited when I mix the right color.
  13. Use rags liberally, don’t worry about conserving.
  14. Ink is certainly messy.
  15. If you get a lot of ink on your hands, soap won’t work. Time for paint thinner.
  16. A little paint thinner never hurt anyone. I hope.
  17. Wash your hands frequently. You’re gonna need the hardcore soap, the green stuff with little bits of pumice in it.
  18. If you really think a particular color won’t look good, don’t use it. Mix up another color.
  19. Careful planning can save you time, and ink.
  20. Too much planning can waste time, however. Thinking about what to do never got anything done.

The next 20 continued in tomorrow’s post.

Or, for the overachiever, jump ahead to numbers 41 to 60. Wash it down with numbers 61 to 80.

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Fine Art also loses Round 2; Balance is a Sucker’s Bet

Friday, January 22nd, 2010

I lost last week’s productivity to DayJob. I have been busy as an engineer, solving the drinking water problems of California.

I thought I would be able to catch up last week, and be on track this week. Turns out this isn’t the case. I was busy again this week, partly with work, partly with important personal business.

The real difficulty I am running into is the so called “balance” between my DayJob and my ambition to create and sell art.

I like doing a good job at work. That takes time, and it takes energy. DayJob requires about 10-1/2 hours per day, from when I get dressed in the morning till I get home and change out of my slacks and tie.

On top of the time, I am mentally drained after a day of work. This is why I started to dedicate an hour every morning to writing (at least, when I am not leaving early to work, as I have the last couple weeks).

I am freshest in the morning, so I give an hour of my best time to myself, before I give 8 hours to BossMan.

Balance is a Myth

There is a common meme around the internet (and in real life) that it is good to “balance” work life with hobbies and other activities. “Balance” is a healthy way to accomplish the things you want to do, and still maintain a decent day job.

They are wrong. The problem isn’t to “balance” the day job with art.

The truth is, the “balance” to a hard day’s work is relaxing at home, eating a good dinner, drinking a beer or a glass of wine (or 3), and relaxing with your family/girlfriend/whatever.

If I didn’t have ambition, I’d be “balancing” out this long work week by drinking beer, playing Call of Duty on my Xbox, and maybe hanging out with a girlfriend that suited the bill.

Irrational Drive is the real kick

I rely on irrational drive to convince me to get up at 6am every day to write, to work every other Friday night instead of going out, and to work on art every night after crunching through problems all day at work.

Balance does nothing to compell me to keep working.

Irrational Drive is what keeps me pushing to work what is essentially 2 full time jobs, in search of fortune and glory.

The trick is to develop my irrational drive into a monster, a force of nature, that compels me to continue to work, beyond when the “balanced” person does.

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DayJob v ArtJob, Round 1 goes to DayJob

Wednesday, January 13th, 2010

I’ve been busy at work. 12 to 15 hours a day busy.

I hope that it will mellow out today, and I will be able to get back on schedule.

I have an ambitious schedule of art production after all. I paint on Monday and Tuesday, draw on Wednesday and Thursday, and work on print projects all weekend.

The impact on my “night” schedule when I am this busy at work are two-fold:

  1. I spend many hours at work, hours I planned to spend creating art. I was at work till 10 pm last night, but my schedule has me painting from 7-10 on Tuesday nights. No painting got done.
  2. After 12 hours at work, I am too tired to get anything done at home, even basic stuff like clean up. Last weekend, after working over 12 hours on Wednesday, Thursday, and Friday, I had to spend most of saturday doing chores like laundry, dishes, running errands and cleaning my apartment. I didn’t get to spend 4 hours with the brayers and blocks, making prints, as I had planned.

When I have to spend my nights working at DayJob, not only does it displace the time I scheduled that night to work on art, but it displaces time afterwards that I have to spend catching up.

It has been a conundrum, and not how I planned to start the year. I set a rigorous schedule of art production for myself so I could start strong, right out of the gate. Instead I got put in another race.

It’s not necessarily bad, because the work I am doing at DayJob right now is decent, and I have gotten some assignments that I am interested in, and bestow me with greater responsibilities.

When I come home from work however, I see my art supplies waiting for me, and I see my calendar listing out what I planned to accomplish that night, and I know that it is too late, and I am too tired, to get it done.

When I get set back liek this, and I get tired like this, it has a toll on my emotions. I feel dissappointed, and I end up feeling sluggish. My energy levels go down.

What I am learning is that some days, and some weeks, I will have to put art on the side, so I can do a good job at DayJob, bring home the bacon, and pay the bills. It may set me back a week or two, but it is what will create success for me in the art field.

The trick is to realize that I have not gotten behind, but have just spent my time in other ways. I don’t focus on what I didn’t do in the past, but what I will do in the future.

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My Art Thanks

Thursday, November 26th, 2009

It is a bit cliche to write out a list of things to be thankful for on Thanksgiving.

Oh, well.

I’m thankful that I started my current series of prints, it was the kick in the butt I needed to start making art again.

I’ve tried a lot of things over the last few years, coaching, teaching, blogging, and design, but none has felt as satisfying as art. I’m pretty sure I’ve finally landed on the thing that I’ll stick with for quite a while, and find my fortune and glory from.

I’m thankful that I know what is next. I have been working on completing this current series, and until I’m done, am not starting any other projects. I’m hoping to be done by the end of 2009, and can start the next project on Jan 1, 2010.

Ideas aren’t the problem, it is the time to execute, and the time to invest in getting my chops back. With that in mind, I’m thankful that I am dedicated to this. Fortune and Glory does not come to the timid.

I’m thankful to every one who has bought one of the prints (30% sold out already, sign up for the newsletter to get in on the pre-release sale). It has been an encouraging way to start this pre-launch of my art.

The truth that I am discovering is that success with this “art thing” takes a ton of work. It is a job to make art, and another job to market and sell it. Both benefit from full time engagement. Working this in with a full time DayJob gives me a more work than should be possible. It’s a good thing I am a little obsessed with this, so, strange as it is, I’m thankful for my obsessive and compulsive tendencies.

Please, feel free to subscribe to the RSS feed or check back frequently, because I am just getting started with all of this. It is going to take a while, and you are invited to watch it happen.

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I can’t get no satisfaction

Monday, November 9th, 2009

I’m sitting here in my apartment, eating dinner and watching some TV to relax on Sunday night. I’ve been working a lot this weekend. It’s actually been all work. I worked till midnight Friday on a run of prints, woke up Saturday, and headed over to Dan’s house (my former roommate) to work on a new demo for our band.

I had a little powwow with Dr. Wordpress afterwards, and we talked business plans and such. Got home Saturday night, printed up another run on my prints, and got to sleep.

I cleaned up my apartment today (it needed it), printed yet another run of prints, just a few today, an additional run on about 10 prints. I’ve been carving a woodblock for a few hours, and that brings me to where I am at the beginning of this post, dinner and TV.

I just looked over at this block I carved this afternoon, and I know I am gonna print it tonight.

And I won’t be satisfied.

I know artists are always self critical. Yesterday, with Dan, we were listening back to one of the takes we recorded. He mentioned that he messed up his drums a few times, but I didn’t hear it. He was far more critical of his craft than I was, because he was closer ot it.

This is a plague that infects a lot of artists, from what I have noyticed. I know I have it.

Pulling that first print off the block is exciting, but once it is hanging to dry, I start to see all the flaws. I see every misstep with my carving knife, how the color would look better if it was a shade different, the uneven pressure I put on the block when I printed it, making the final ink coverage inconsistent, or the lack of balance in the overall image.

I can’t get no satisfaction from my work.

When I say this, I hear the song in my head, except I hear the version by Devo, rather than the original version by the Stones.

Actually, I hear that version now, since I threw on Q: Are We Not Men? onto the speakers.

Usually I would sit around and stew in my dissatisfaction with what I am making, but instead I think I can address it by writing up this post and letting you sit there and read about how art is such a frustrating endeavor.

I think that the frustration that I feel with the art I make is the entire point.

If I could make the perfect print, then I wouldn’t need to make any others, I would have “accomplished the goal”.

Creating a work of art may be a goal in some respects, after all, I want to make art, give you an inside view of what it is about, and get it in to the hands of you folks. That certainly is a goal.

The entire reason I make art, however, is a process. I could be making tons of other things that might be far more profitable than art, but art is what I like to do. I’ll just have to work ten times harder to get rich off of my art.

The process of creating has meaning to me, and that process wouldn’t be important if I was satisfied with everything I do. I guess that lack of satisfaction makes it worth doing.

Anyway, back to dinner and Devo.

Are we not men?

We are Deacon.

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